Joined ASCAP

I’ve always thought these performance rights organizations were one step removed from the mob. ┬áTons o’ money sloshing around, some incredibly powerful legislation and court cases at their back, a near monopoly on the services they provide.

But they also provide great resources and the main way for composers to earn income for performances of their works.


Be the first to find out about performances and other goings-on!

No comments yet.

Leave a Reply